{"id":184,"date":"2008-10-01T18:05:35","date_gmt":"2008-10-01T22:05:35","guid":{"rendered":"http:\/\/www.rgdaniel.com\/blog\/?p=184"},"modified":"2008-10-01T18:05:35","modified_gmt":"2008-10-01T22:05:35","slug":"54x2-as-it-were","status":"publish","type":"post","link":"https:\/\/www.rgdaniel.com\/blog\/2008\/10\/01\/54x2-as-it-were\/","title":{"rendered":"54×2 (As It Were)"},"content":{"rendered":"

As part of the As It Were<\/strong> series of “live in the studio” recordings, a series that I am just inventing now, featuring avant-garde art-noise mongers R.G.Daniel (www.rgdaniel.com<\/a>) and Alan Glicksman (www.alanglicksman.com<\/a>), 54×2 <\/strong> recently entertained themselves and a captive audience of canines at Barkwhistle Studio (my rec room) in beautiful Owen Sound.
\nThis time out, I relied heavily (perhaps too heavily) on my Boss DD-6 Digital Delay pedal, as well as my new circuit-bent tiny drone guitar and circuit-bent Lisa Simpson saxophone. Alan favoured the always delightful vintage Yamaha synth that he played in Durham, along with sundry bells and whistles. The recording was once again via Lynda’s Zoom X4, with no post processing except for normalizing the volumes.
\nHere is a generous selection of excepts. A CD of the entire audio event is available by contacting me via this website or by stopping me in the street. The cost for the CD will be one million dollars<\/em>.
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